Poster2

Unheard songs of landless people

There is a narrative that when your tummy is filled up with foods and you have a roof up of your head, you need not to be worried. But is this narrative appropriate for the landless fled people like Rohingya refugee community in Bangladesh? Apparently, we, the civil society know the Rohingya refugee crisis from decades. Ethnic minorities of Rohingya have historically been excluded from the mainstream. Exclusions acted as humiliation such as prejudice, discrimination, stigmatization, derision, and deprivation. Humiliation toward this community reached an extent that it went beyond the level of tolerance. These consequences compelled them to escape from their stateless motherland. Thousands of Rohingya fled to Bangladesh in different periods mainly in the late 1700s and early 1800s, the 1940s, 1978, in 1991and 1992, and most recently in September 2017. In recent periods nearly 800,000 Rohingya escaped into Bangladesh and now the country caring over 1 million Rohingya people.

 

Now it is a burning issue for our nation as well as for international that shakes our consciences about humanity concerns. This inhumane distressful refugee life drew our attention as individual beings and also as photographers. We went to them in southern part of Bangladesh located Ukhiya-Teknaf-Sahporir Dwip where they push-in from Myanmar.  After their influx had started in 2017 we visited them several times and took images inside the camps where they were battling to live. No words to describe what our camera focused on the distresses of their life. New arrivals were sobbing for the basics of life. Crowds of people, children, men and women were running after the trucks, snatching whatever they were getting. They were living anywhere they could manage a little space and the living conditions were so bad likely to spread diseases. Their deplorable destiny strikes us asking the question: where are they wanted? They know that they are not wanted anywhere. Only the existence, the survival is the first. We tried to touch that pain of uncertainty and their appeal towards life by these photographs where portrayed the unheard songs of the landless innocent people, their dreadful journey, their substantial hazards, friendship among inhabitants in the camps, their positive look, struggle for life, darkness and many more momentums.

 

With Regards

 

Moinul Alam

Asma Beethe

Moinul Alam

He associated with photography from last twenty two years. He is a self-taught non-exposure photographer of our time. His area of photography is people; thus community, where nature also be a vital part. Through his vast photographic life, he captured countless glimpses of fisherman community, ethnic community of CHT, Chittagong ship braking yards etc.

Mr. Moinul did his MFA from University of Chittagong.  On early 2005-2006, he attends couple of International Photography Workshop at China.  There his photographs acclaimed huge attention from viewer.

He worked with couple of national and international agencies such as CODEC, Image (France)

Exhibitions:

  • The Path, 2015, at Pearson Polly, Shanti Niketon, Birbhum, India
  • Fisher Folk’s, 2016, Organized by CODEC, at Cox’s Bazar, Bangladesh
  • Changkranpoi (The New Year), 2017, at Shabek Bilchori Fair, Lama, Alikodom, Bangladesh
  • The Wings of Light, 2018, at Gallery Chitrovasha, Foyo’s Lake, Chittagong, Bangladesh
  • The Influx Passage, 2018, at Boi-Chitra Gallery, Kolkata, India

Asma Beethe

Her keen interest of photography is to portraying Life and culture along with the heritage of ethnic minorities of Bangladesh. As well change of alluvial land, hilly village of Chittagong hill tracts and terminal people also in her curiosity.

She did Master’s in Public Administration and Journalism from University of Chittagong. Later she did basic photography course from Pathshala, a renowned photography school of Bangladesh.

Clients she worked so far are Save the Children Bangladesh, CARITAS Bangladesh, UNDP, ActionAid Bangladesh, Bangladesh Institute of Theater Arts (BITA), Dhaka-Mercantile Bank, Well Group etc.

Exhibitions:

  • `Bangladesh: Promise & Possibilities’, Azadi-Footographia 1st Photo Festival Exhibition, 2015, Chittagong, Bangladesh
  • Annual Photography Exhibition of Chittagong Photographic Society, 2015, Chittagong, Bangladesh
  • Annual Photo Exhibition of Pathshala, 2014, Dhaka, Bangladesh
  • Annual Photo Exhibition of Pathshala, 2013, Dhaka, Bangladesh
  • The Influx Passage, 2018, at Boi-Chitra Gallery, Kolkata, India